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改变历史的女人们

6.0|02月13日|已完结|共6集
简介:

  Arte电视频道是德法两国共同建立运营的文化艺术类频道,由其出品的纪录片《改变历史的女人们》

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村小的孩子高清在线观看 - 星河播放_科幻太空影视星际探看免费看,美剧科幻大片 + 动漫科幻番剧,3D 观影 4K 蓝光,科幻设定解析每日更
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村小的孩子

评分:2.0

更新时间:02月08日

主演:范魏煜,张良友,蒋云洁

简介:

  本片为独立纪录片导演蒋能杰留守儿童三部曲的第二部,另外两部分别为《路》和《加一》,蒋能杰致力于用影像关注社会,用镜头呼吁更多人关注留守儿童,重视乡村教育。 (有意观看高清版的,可联系本人微信:1714371600 (QQ)
  本片荣获第三届 凤凰视频纪录片大奖 最佳纪录长片奖、法兰克福影展 一等奖。
  2009年:首次走进村小,镜头记录临时学校的22个学生(其中17个为
  留守儿童),同时关注村小艰难申请重建。
  2010年:重建后的村小调来张老师教两个班,代课十几年的张老师老
  为转正问题烦心和奔波,跟拍的留守儿童的学习、心理、生活也面临
  着种种问题。
  2011年:代课的 张老师因种种不满,已离开村小,跟拍的孩子们面临
  的问题愈加严重。
  2012年:由于媒体的力量,村小的物质条件有所改变,但好像无力改
  善更多。
  2013年:留守儿童生活看是没什么变化,其实在悄悄变化着。
  2014年:又是一年春节,而跟拍的留守儿童家庭 …… 。
  2009: First glance at the village school, in which the lives of 22 students including 17 left-behind children, together with the unsmooth application of the school’s reconstruction, were focused on.
  2010: Teacher Zhang, a supply teacher with more than 10 years teaching experience, was assigned to the reconstructed school. While in charge of two classes, he was concerned about, and striving for the obtainment of permanent teaching status. Meanwhile, folks began to doubt on the quality of the school buildings, as the left-behind children were facing numerous problems in life, study and emotion.
  2011: Mr. Zhang left the school out of dissatisfaction. After he left, the problems those left-behind children were confronting with became more serious.
  2012: Thanks to the media, the material condition of the village school began to turn around. However, it still had a long way to go.
  2013: The situation of those left-behind children seems unchanged, but it turned out to get changed day by day.
  2014:As another Spring Festival comes, what is going on in those left-behind families?

阅读量:760

年份:2014

村小的孩子

主演:范魏煜,张良友,蒋云洁

时光之轮

主演:达赖喇嘛,喇嘛伦珠唯色,塔克纳·吉格梅·桑波

情感的力量高清在线观看 - 星河播放_科幻太空影视星际探看免费看,美剧科幻大片 + 动漫科幻番剧,3D 观影 4K 蓝光,科幻设定解析每日更
386
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情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

改变历史的女人们

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